Shake it, shake it, shake it, Salome

This production of the Oscar Wilde play has been adapted to feature the feel of the decadent 20's in America. The style and clothes of the actors correspond to that. It is a reprisal of the Stephen Berkoff version from around 10 years ago, which is often mentioned in hushed tones, and featured the late dice man as the executioner.

Some other members of the cast have also changed, most notably Salome herself, as the new actress (Fiona O'Shaughnessy) is somewhat of a weak link in the piece. Her voice grates, and sounds like a children's tv presenter, but she does look the part, and moves with the grace that you would expect.

Generally well acted, especially by Alan Stanford (not an actor i generally enjoy) and Barbara Brennan. The the set, while being somewhat barren, and the music that is played through add to the silent movie or mime feel of the whole play. The minor characters form a chorus at the back of the stage, singing or repeating lines that the main characters have already spoken. This device works better than you would imagine, and adds to the drama of the piece.

I wasn't in any way familiar with the play before seeing it, and it is a pity to see it first time, in the re-constructed staging that is evident in this, but having said that, it did work. While i would be somewhat reserved about my recommendation of the play, mainly due to Salome herself, it is still a worthwhile event, and deservig of your time.

3/5